The greatest battle and most dangerous encounter The hero begins their journey back to everyday life The hero receives some kind of reward for facing their demons The hero must face great demons, which could be internal or external, or both The hero prepares to battle terrible danger or inner conflict They face various challenges, and make new friends They change location or burn bridges in a metaphorical sense, meaning they cannot simply return to their old life as if nothing has happened They meet someone who gives them advice that will be useful for the coming challenges The hero often has doubts, just wants to stay in their safe existence Something happens to shake up the hero’s everyday life The protagonist is introduced in their normal everyday life However, there’s a high chance that readers will still feel less engaged and emotionally involved. This is an important lesson, because while the diagram above is almost laughable, it might not be so obvious when stages are out of order when using a more advanced structure. Imagine what it would be like to read.Īpplying this distortion to the simplest of plot outline makes it clear why getting the stages out of order can be confusing, unsettling and even nonsensical. Imagine how a reader might feel if you wrote a story with the stages in this order: Using these stages will help ensure the story feels satisfying to a reader. So you may want to expand it into something like this:įor many people, this is enough of a structure on which to hang the main points of their story.
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